Obsolescence: A Dystopian Vision by Phil Wagner
Noa West Juxtapoz essay
December 20th, 2019
Through an assemblage of obliterated Xerox machines and fragmented typewriters, spray paint, resin and humming hued light, Phil Wagner introduces Obsolescence to the NO Gallery, a nihilistic dystopian reality amidst a mechanical purgatory.
Fueled by the visual rhetoric of Dada and Suprematism, Obsolescence articulates a dialogue of how technology that is viewed as archaic, mundane, and obsolete has become the catalyst of our demise as a society. As a result, sculptures, paintings, and installations create visceral shadows of shantytowns, monuments marred by riots, and laboratories hexed with confusion and absence. By implementing popular wood, anaesthetic architectural addition of the gallery, and site-specific sculpture, the NO Gallery transcends into a chapel of reflection; a memorial pieced together by survivors amongst the rubble.